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Pre War Blues Licks: Swing Jump Electric Lines a la ...
This batch of licks comes from the swing jazz and jump blues era of the late 1930s and early 1940s. In this period there was a much closer relationship between jazz and blues.
The song was still a staple of the Allman Brothers Band's live shows in later years, with either Derek Trucks or Warren Haynes playing slide guitar.
Open E Tuning Slide Guitar Course | Learning Guitar Now
Learn how to play Duane Allman and Derek Trucks style slide guitar in Open E Tuning by learning muting, raking, scales, licks, chords and much more.
Bio — The Marcus King Band
“Forgive me for I have sinned,” Marcus King implores, on the gorgeous, contemplative “Confessions,” an essential track from The Marcus King Band’s third full length album, Carolina Confessions.
Steve's Dead Rock Stars 2017
Johnny Hallyday June 15, 1943 December 5, 2017 French rock star Johnny Hallyday, known as "The Elvis Presley of France", has died at age 74.
Heart of Stone (The Rolling Stones song)
"Heart of Stone" is a song by the English rock band The Rolling Stones, released as a single in 1964 in the United States, and on an extended play single in Europe (pictured).
Learning Guitar Now | Online Video Slide and Blues Guitar ...
In this course, you’ll learn how to play like Eric Clapton in the style of Three O’ Clock Blues. I’ll show you how I got the tone in the lessons and specific things you can practice to sound more like Slowhand.
Course Catalog — How To Play Blues Guitar With Blues ...
This courses teaches a system for placing licks within the 12 bar blues so that they always sound good no matter which licks you choose. There are 5 licks for each of the 7 positions and is ideal for players who struggle with things like phrasing, how and when to start their solos and anyone new to blues soloing or needing more experience.
Blue Horizons: How to Mix Major and Minor Pentatonics ...
All three of these licks have one thing in common: the idea of emphasizing the minor pentatonic when you’re away from the I chord and emphasizing the major pentatonic when you return to it.